Mulatu Astatke's story is something of a road movie. It began 40 years before Jim Jarmusch's Broken Flowers - with its Ethio-jazz soundtrack - won the Grand Prix at the 2005 Cannes Film Festival

Mulatu Astatke

After an initial stay in London, where he was supposed to become an engineer, Mulatu Astatke moved to Boston and New York in the early 1960s, where he studied vibraphone and congas. He then produced two albums in 1966, which he called Afro-Latin Soul, with singles produced in Ethiopia in parallel. A few years later, two albums introduced Ethio-jazz, music that would become his trademark. The first album, co-produced by Ethiopian Airlines, was offered to first class passengers.

It wasn't until the late 1990s, however, that the series of French CD compilations Les Ethiopiques introduced music lovers, including a certain Jim Jarmusch, to the delights of Ethio-jazz.

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We find Mulatu Astatke performing his Ethio-jazz at the Cully Jazz festival with his band featuring James Arben on sax, Byron Wallen on trumpet, Danny Keane on cello, Nicholas David on piano, John Edwards on double bass, Richard Olatunde Baker on percussion and Jon Scott on drums.

Mulatu Astatke (vibe)

Byron Wallen (tp)

Richard Olatunde Baker (perc)

John Edwards (dble bass)

Danny Keane (cello)

Richard Olatunde Baker (perc)

Mulatu Astatke (vibe) | Cully Jazz Festival, Lausanne, Switzerland - April 2023

My selection of music records

Mulatu Of Ethiopia - Worthy (US) 1972

Ethio Jazz - Amha (ETH) 1974

The New Soul Sound of Latin jazz

To understand how jazz merged with Afro-Caribbean music, we think it's interesting to compare Mulatu Astatke's Afro-Latin Soul records with a seminal record from the same year, 1966.

West Coast jazz vibraphonist Cal Tjader, a longtime fan of Latin sounds, teamed up with pianist Eddie Palmieri and his orchestra, La Perfecta, to produce El Sonido Nuevo - The New Soul Sound. This album laid the groundwork for what would become Latin jazz, a music that was not just for accompanying a singer and dancing, where the voice could be replaced by the many instruments of the orchestra, vibraphone, piano or brass.

El Sonido Nuevo - Verve (US) 1966

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